Here is a selection of published writing over the years.

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“True? No. It Happened,” on the beds of Sophie Calle, for MUBI Notebook, May 2025

Chris Marker’s Imaginary Japan, on the filmmaker’s layered relationship to Japan, for MUBI Notebook, July 2024

Nina Katchadourian: Uncommon Denominator, on the artist’s singular engagement with the Morgan Library’s collection, for The Brooklyn Rail, March 2023 [print]

Jonas Mekas: The Camera Was Always Running, on a retrospective of the experimental filmmaker’s roving career, for TheGuide.art, May 2022

Bruce Conner & Jay DeFeo: (“we are not what we seem”), on a tender collaboration between two peerless artists, for Screen Slate, October 2021

Philip Guston: 1969-1979, on the artist’s late paintings at Hauser & Wirth, for TheGuide.art, September 2021

Aesthetic Games, on Alexander Calder’s ingenious chess sets, for the exhibition catalogue “Alexander Calder: Minimal / Maximal,” August 2021 [print]

Lucy Raven: Ready Mix, on Lucy Raven’s exhibition at Dia: Chelsea, for Screen Slate, May 2021

Those That, at a Distance, Resemble Another, on Jessica Sarah Rinland’s sensuous film, for Screen Slate, April 2021

Something in the Air, on Allan Sekula’s images of protest, for The Brooklyn Rail, March 2021 [print]

Love Letter to Laida Lertxundi, for Variable West, September 2020

He Wrote Me, on Chris Marker’s modes of address, for diSONARE 08, January 2020 [print]

Close Enough, on John Houck’s exhibition “Holding Environment,” for Degree Critical, December 2018

I want you to know that I am hiding something from you, on Mahmoud Khaled at Helena Anrather, for BOMB Magazine, October 2018

Indigeneity in the Present Tense: Pacha, Llaqta, Wasichay at the Whitney, for BOMB Magazine, September 2018

Life’s Little Treasures, on Alexander Calder’s household objects, for The World of Interiors, August 2018 [print]

Eve Ackroyd & Kara Rooney: Group Motivation, for The Brooklyn Rail, February 2018 [print]

Ellie Ga: Strophe, a Turning, for The Brooklyn Rail, October 2017 [print]

Radical Bodies: Anna Halprin, Simone Forti, and Yvonne Rainer in California and New York, 1955-1972, for The Brooklyn Rail, September 2017 [print]

Like a Pulse on the Horizon, on Éric Rohmer, Tacita Dean, & “the green flash,” for Degree Critical, August 2017

Erica Baum & Libby Rothfeld at Bureau, for Artforum Critics’ Picks, January 2017

Francisco Ugarte at Cristin Tierney, for Artforum Critics’ Picks, July 2016

Jocelyn Hobbie at Fredericks & Freiser, for Artforum Critics’ Picks, May 2016

#FFCC66, on the color of expired Sunny Delight & the internet, for Web Safe 2k16, May 2016

John Houck at On Stellar Rays, for Artforum Critics’ Picks, April 2016

Dialogues: Kaitlyn A. Kramer with Jonathan Raissi, for Degree Critical, February 2016

A Room With a Field: Stan VanDerBeek’s Poemfields, for artcritical, July 2015

Wherever You Go, There You Are, on the Kate Shepherd’s book Fwd: The Telephone Game, for Graphite Interdisciplinary Journal of the Arts, June 2015 [print]

Shore in Lenapehoking, performance essay for choreographer Emily Johnson/Catalyst, June 2015

Re-Visions II: Diller, Scofidio + Renfro’s Lincoln Center, for Degree Critical, May 2014

Grey, for Young Cloud, designed by Michelle Lin, February 2014 [print]